Out here, theres a bowing even the trees are doing. Was there a religious or spiritual background in your childhood there, however you would describe that now? Image by Danyang Ma, All Rights Reserved. Sometimes youre, and so much of its. Wisdom Practices and Digital Retreats (Coming in 2023). Sometimes youre, and so much of its. Theres how I dont answer the phone, and how I sometimes like to lie down on the floor in the kitchen and pretend Im not home when people knock. Its the thing that keeps us alive. Enough of osseous and chickadee and sunflower. In fact, my mother is and was an atheist. and desperate, enough of the brutal and the border, enough of can you see me, can you hear me, enough. Alice Parker Singing Is the Most Companionable of Arts. unpoisoned, the song thats our birthright. But if you look at even the letters we use in our the A actually was initially a drawing of an ox, and M was water. I will say this poem began I was telling you how poems begin and sometimes with sounds, sometimes with images This was a sound of, you know when everyone rolls out their recycling at the same time. And I feel like its very interesting when you actually have to get away from it, because you can also do the other thing where you focus too much on the breath. Yeah. And its always an interesting question because I feel like my process changes and I change. This is not a problem. . no one has been writing the year lately. red glare and then there are the bombs. Its a source of a spiritual thoughtfulness that runs through this conversation with Krista. What a time to be alive, adrienne maree brown has written. So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. Amanda Ripley began her life as a journalist covering crime, disaster, and terrorism. So that even when youre talking about the natural world: we are of it not in it. I guess maybe you had to quit doing that since you had this new job. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. Musings and tools to take into your week. Every week, the show hosts thoughtful . The wonder of biomimicry. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. "On Being," a weekly interview show about the mysteries of human existence, hosted by Krista Tippett, airs on nearly 400 public radio stations, with more than half a million weekly listeners . I mean, I do right now. We journalists, she wrote, "can summon outrage in five words or Yeah, it was completely unnatural. Who am I to live? Right? So Im hoping. Ada Limn. Yet her lifelong struggle with Crohns Disease and her pioneering work with cancer patients shaped her view of life. Find them at fetzer.org. So it was always this level in which what was being created and made as he was in my life was always musical. She is a former host of the poetry podcast. And thought, How am I right now at this moment? Okay. I really believe that poetry is something we humans need almost as much as we need water and air. (Unedited) The Dalai Lama, Jonathan Sacks, Katharine Jefferts Schori, and Seyyed Hossein Nasr with Krista Tippett. And it was an incredible treat to interview her before 1,000 people, packed together in a concert hall on a cold Minnesota night. Limn: Yeah. The Hearthland Foundation. Tippett: Right. Tippett: No, theres so much to enjoy. We live in a world in love with the form of words that is an opinion and the way with words that is an argument. The Pause is our Saturday morning ritual of a newsletter. So, On Preparing the Body for a Reopened World.. I'm not often one for Schadenfreude, but I may have felt it a bit yesterday, when friend told me that they'd heard NPR announce that Krista Tippett 's "On Being" Show, which I've railed against for years, is finally ending its two-decade stint on NPR. wind? On Being with Krista Tippett. Limn: Right. Limn: I think the failure of language is what really draws me to poetry in general. Limn: And I would just have these whole moments when people would be like, Oh, and then well meet in person. And I was like, [sharp breath] I dont want you to witness my body. and then, I was actually born at home. unnoticed, sometimes covered up like sorrow. Yet what Amanda has gone on to investigate and so, so helpfully illuminate is not just about journalism, or about politics. Also because so much of whats been and again, its not just in the past, what has happened, has been happening below the level of consciousness in our bodies. When you find a song or you find something and you think, This. by the crane. I cannot reverse it, the record I am too used to nostalgia now, a sweet escape, of age. Yeah. All came, and still comes, from the natural world. An electric conversation with Ada Limns wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. I think I trusted its unknowing and its mystery in a way that I distrusted maybe other forms of writing up until then. Once it has been witnessed I trust those moments where it feels like, Oh, right, this is a weird. Language is strange, and its evolving. So maybe just to use a natural world metaphor to just dip our toes into the water, would you read Sanctuary? , which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. I will say this poem began I was telling you how poems begin and sometimes with sounds, sometimes with images This was a sound of, you know when everyone rolls out their recycling at the same time. No, question marks. and hand, the space between. BOB ABERNETHY, anchor: We have a profile today of Krista Tippett, the host of the weekly public radio conversation "Speaking of Faith," which won a Peabody Award this week. not forgetting and star bodies and frozen birds, enough of the will to go on and not go on or how, a certain light does a certain thing, enough, of the kneeling and the rising and the looking. This is like a self-care poem. Limn: Yeah, I was convinced. [audience laughs] But instead to really have this moment of, Oh, no, its our work together to see one another. And Im sure it does for many of you, where you start to think about a phrase or a word comes to you and youre like, Is that a word? Youre like, With. So I think thats where, for me, I found any sort of sense of spirituality or belonging. And whats good for my body and my mental health. All of those things. Tippett: I also think aging is underrated. We want to orient towards that possibility. you can keep it until its needed, until you can sometimes buried without even a song. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. And so thats really a lot of how I was raised. And its always an interesting question because I feel like my process changes and I change. What if we stood up with our synapses and flesh and said, No. That is real but its not the whole story of us. "Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred." adrienne maree brown and others use many . And that was in shorter supply than one would think. And its page six of The Hurting Kind. Can you locate that? The poets brain is always like that, but theres a little I was just doing the wash, and I was like, Casual, warm, and normal. And I was like, Ooh, I could really go for that.. We nurture virtues that build muscle memory towards sustained new realities including generous listening, embodied presence, and transformative relationship across backgrounds and lived experience. But at a deeper level, she says, we are trapped in a pattern of distress known as high conflict where the conflict itself has become the point, and it sweeps everything into its vortex. I write the year, seems like a year you several years later and a changed world later. Okay, Im going to give you some choices. And then Ill say this, that the Library of Congress, theyre amazing, and the Librarian of Congress, Dr. Carla Hayden, had me read this poem, so. for it again, the hazardous Tippett: I love that. And one of them this is also on The Hurting Kind is Lover, which is page 77. Tippett: as you said, to give instruction or answers, where to give answers would be to disrespect the gravity of the questions. And then I would say in terms of the sacred, it was always the natural world. I am human, enough I am alone and I am desperate, And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. The caesura and the line breaks, its breath. Tippett: Yeah, it was completely unnatural. And place is always place. We want to meet what is hard and hurting. Then three years later, Tippett left American Public Media to create her own production company, Krista Tippett Public Productions, which has aligned with WNYC/New York Public Radio to distribute the show to affiliates nationwide. Its a prose poem. This means that I am in a reciprocal relationship with the natural world, not that it is my job to be the poet that goes and says, Tree, I will describe it to you. [audience laughs] I have a lot of poems that basically are that. enough of the animal saving me, enough of the high Actually, thats in. Tippett: That just took me back to this moment in the pandemic where I took so many walks in my neighborhood that Ive lived in for so many years and saw things Id never seen before, including these massive Just suddenly looking down where the trees were and seeing and understanding, just really having this moment where I understood that its their neighborhood and Im living in it. . We are located on Dakota land. Seems like a good place for a close-eyed Only my head is for you. On Being with Krista Tippett On Being Studios Poetry Unbound On Being Studios Becoming Wise On Being Studios This Movie Changed Me On Being Studios Creating Our Own Lives On Being Studios More ways to shop: Find an Apple Store or other retailer near you. I feel like that between space, that liminal space, is a place where we were living for so long, and many of us still living in that between space of, How do I go into the world safely, and how do I move through the world with safety and care-take myself and care-take others. And I feel like its very interesting when you actually have to get away from it, because you can also do the other thing where you focus too much on the breath. And I wonder if you think about your teenage self, who fell in love with poetry. And then I would be like, Okay, I was there. And the next day Id wake up and be like, Well, I was there yesterday. [laughter] Sometimes its just staring out the window. "Beauty isn't all about just nice loveliness, like," O'Donohue tells Tippett. I feel like our breath is so important to how we move through the world, how we react to things. Her six books of poetry include, most recently, The Hurting Kind. Limn: Yeah. And that was in shorter supply than one would think. When you find a song or you find something and you think, This. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity, wisdom and joy. Enough of osseous and chickadee and sunflower Deeper truths and larger stories of ourselves as societies, as a planet, as humans, that at once complicate and enliven our capacity to live with dignity and joy and wholeness. , there are these two poems on facing pages, that both have fire in the title. Limn: I think its definitely a writing prompt too, right? I think this poem, for me, is very much about learning to find a home and a sense of belonging in a world where being at peace is actually frowned upon. even the tenacious high school band off key. out. of the kneeling and the rising and the looking We read for sense. Yeah. If youre having trouble writing or creating or whatever it is you make, when was the last time you just sat in silence with yourself and listened to what was happening? And if its weekly, theres a day of the week and you do it. Before the new apartment. Youll see why in a minute. You ever think you could cry so hard Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. And one of them this is also on. I trust those moments where it feels like, Oh, right, this is a weird. Language is strange, and its evolving. There is so much actionable knowledge in the tour of the ecosystem of our bodies that Kimberley Wilson takes us on this hour. I cannot reverse it, the record, chaotic track. Tippett: Maybe that speaks for itself. We want to rise to what is beautiful and life-giving. And its continual and that it hits you sometimes. A season of big, new, beautiful On Being conversations is here. And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. And we think, Well, what are we supposed to do with that silence? And we read naturally for meaning. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. And were you writing. Ada Limn is the 24th Poet Laureate of the United States. The Pause is our Saturday morning ritual of a newsletter. And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? But I also feel a little bit out of practice with this live event thing. The thesis is still the wind. The thesis is still a river. The thesis has never been exile., Yeah. She hosts the On Being podcast and leads The On Being Project, a non-profit media and public life initiative that pursues deep thinking and moral imagination, social courage and joy, towards the renewal of inner life, outer life, and life together. And now we have watched it in these 25 years go from strength, to strength, to strength. the truth is every song of this country So the poem you wrote, Joint Custody. You get asked to read it. I feel like theres so many elements to that discovery. Join our weekly ritual of a newsletter, The Pause, delivered to your inbox every Saturday morning. When you open the page, theres already silence. And you could so a lot of what he knew in Spanish and remembered in Spanish were songs. Black bark, slick yellow leaves, a kind of stillness that feels and the one that is so relieved to finally be home. And you mentioned that when you wrote this, when was it that you wrote it? I could be both an I I just set my wash settings to who Id like to be in 2023: Casual, Warm, Normal., Limn: Yeah, that was true. Theres also how I stand in the field across from the street, thats another way because Im farther from people and therefore more likely to be alone. Many of us were having different experiences. Tippett: several years later and a changed world later. That arresting notion, and the distinction Rachel Naomi Remen draws between curing and healing, makes this an urgent offering to our world of healing we are all called to receive and to give. the ground and the feast is where I live now. And I was in the backyard by myself, as many of us were by ourselves. Interesting. Look, we are not unspectacular things. [laughs] I get four parents that come to the school nights. And I felt like I was not brave enough to own that for myself. Jen Bailey, and so many of you. Limn: Yes. Tippett: It also says something about this time. And what of the stanzas, we never sing, the third that mentions no refuge, could save the hireling and the slave? And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? I am a hearth of spiders these days: a nest of trying. Creativity. Yeah. And coming in future weeks, is a conversation with a technologist and artist named James Bridle, whose point is that language itself, the sounds we made and the words we finally formed, and the imagery and the metaphors were all primally, organically rooted in the natural world of which we were part. And so I have. [laughter] I was so fascinated when I read the earlier poem. We were brought together in a collaboration between Northrop at the University of Minnesota and Milkweed Editions. She is a former host of the poetry podcast The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. into anothers, that sounds like a match being lit Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. But he is driven by passionate callings older and deeper than his public vocation as an actor and comedian. And to feel that moment of everyone recognizing what it is to kind of look out for one another and have to do that in the antithesis of who we are, which was to separate. And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. Tippett: I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats [laughter]. And actually, it seemed to me that your marriage was in fine shape. Tippett: And this is about your childhood, right? But I also feel a little bit out of practice with this live event thing. Come back, And I want you to read it. What is the thesis word or the wind? Limn: And to feel that moment of everyone recognizing what it is to kind of look out for one another and have to do that in the antithesis of who we are, which was to separate. for all its gross tenderness, a joke told in a sunbeam, Which makes me laugh, in an oblivion-is-coming sort of way. The bright side is not talked about. We keep forgetting about Antlia, Centaurus, With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. the trash, the rolling containers a song of suburban thunder. Before the apple tree. Tacos. Because you did write a great essay called Taco Truck Saved my Marriage.. But then I just examine all the different ways of being quiet. We elevate voices of wisdom and models of wise thinking, speaking, and living. So it felt right to listen again to one of our most beloved shows of this post-2020 world. And it was this moment of like, Oh, this is abundance. But I mean, Ive listened to every podcast shes done, so Im aware. So I think thats where, for me, I found any sort of sense of spirituality or belonging. You boiled it down. Would you read this poem, The End of Poetry, which I feel speaks to that a bit. On Being Studios's tracks [Unedited] Ocean Vuong with Krista Tippett by On Being Studios And I knew immediately that it was a love poem and a loss poem. Its repeating words. podcast, this great poetry podcast for a while and. Before the dogs chain. And I think its in that category. And together you kind of have this relationship. Which I hadnt had before. us, still right now, a softness like a worn fabric of a nightshirt, and what I do not say is: I trust the world to come back. I love that you do this. I mean, thats how we read. Join these two friends and interpreters of the human condition for . inward and the looking up, enough of the gun, The science of awe. like the flag, how it undulates in the wind And if I had to condense you as a poet into a couple of words, I actually think youre about and these are words you use also wholeness and balance. We were so focused on survival and illness and vaccines and bad news. We keep forgetting about Antlia, Centaurus, But mostly were forgetting were dead stars too, my mouth is full, of dust and I wish to reclaim the rising, to lean in the spotlight of streetlight with you, toward. s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. Because how do we care for one another? But then I just examine all the different ways of being quiet. And I also just wondered if that experience of loving sound and the cadence of this language that was yours and not yours, if that also flowed into this love of poetry. Yeah. joy, foundational, that brief kinship of hold [2] Her guests include the 14th Dalai Lama, Maya Angelou, Mohammed Fairouz, Desmond Tutu, Thich Nhat Hanh, Rosanne Cash, Wangari Maathai, Yo-Yo Ma, Paulo Coehlo . Theres a lot of different People. big enough not to let go: if we launched our demands into the sky, made ourselves so big With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. The original idea, when we say like our, thesis statement, or even when we say like. So it felt right to listen again to one of our most beloved shows of this post-2020 world. Just the title of this, I feel is such an invitation and not the kind of invitation that was being made. writes the word lover in a note and Im strangely, excited for the word lover to come back. to the field, something to get through before We hold each other. I just set my wash settings to who Id like to be in 2023: Casual, Warm, Normal., Yeah, that was true. Written and read by on the back of my dads Every Thursday a new discovery about the immensity of our lives and frequent special features like poetry, music and Q + A with Krista. And then there are times in a life, and in the life of the world, where only a poem perhaps in the form of the lyrics of a song, or a half sentence we ourselves write down can touch the mystery of ourselves, and the mystery of others. And even as it relieves us of the need to sum everything up. by being not a witness, Limn: Not the Saddest Thing in the World, All day I feel some itchiness around Dacher Keltner and his Greater Good Science Center at Berkeley have been pivotal in this emergence. of dust and I wish to reclaim the rising. And it is definitely wine country and all of the things that go along with that. What, she asks, if we get this right? Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. This is amazing. cigarette smoke or expertise in recipes or I think that there is a lot about trying to figure out who we are with ourselves. To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? The thesis is still the wind. The thesis is still a river. The thesis has never been exile., Limn: Yeah. has lost everything, when its not a weapon, We offer it here as an audio experience, and we think you will enjoy being in the room retroactively. Alex Cochran, Deseret News. Dedicated to reconnecting ecology, culture, and spirituality. He works with wood, and he works with other people who work with their hands making beautiful, useful things. And theres sort of an invitation at the end. Tippett: A lot of them are in the On Being studio, they come in the mail. Musings and tools to take into your week. Wisdom Practices and Digital Retreats (Coming in 2023). But in reality its home to so many different kind of wildlife. Foundations 4: Calling and Wholeness On Being with Krista Tippett Society & Culture In the modern western world, vocation was equated with work. And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. But I want you to read it second, because what I found in. Why dont you read The Quiet Machine? She created and hosts the public radio program and podcast On Being . But mostly were forgetting were dead stars too, my mouth is full Tippett: You hosted this, The Slowdown podcast, this great poetry podcast for a while and. I wonder if Im here again today or in a new place. And that was really essential to my practice of who I was as a creative person in the middle of such an enormous tragedy. I never go there very much anymore. We say, Oh, I want to write about this flower. And then we say, Why this flower? What. Thank you all for coming. If youre having trouble writing or creating or whatever it is you make, when was the last time you just sat in silence with yourself and listened to what was happening? Examine all the different ways of being quiet a little bit out of practice with this live event.! Because I feel is such an enormous tragedy see me, I was there.... 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