. (Strangely enough, a live film clip of Donegan and Wright doing that song exists, in the movie The Six-Five Special). Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. Dick Bishop - Guitars, Vocals 1955 He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. _udn = "none"; It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. 3 Tops With Lonnie. WebLONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore c.1951 Tony Donegan Jazz Band. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. Bottle of Wine 3. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. Jack O' Diamonds, Lonnie Donegan Hit Parade -- Vol 5 In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. 1 b/w Lonnie's Skiffle Pt. WebLonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. AllMusic relies heavily on JavaScript. Heart surgery in 1992 slowed Donegan down again, but by the end of the year he was touring once again with Chris Barber. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Pete Huggett - Bass, Strings 1958 The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. The Sunshine Of His Love. Nov 20/21, 1998 Whitla Hall, Belfast (The Skiffle Sessions with Van Morrison, Chris Barber, et al), I Know Where I'm Going unissued LD9 C C Rider (Going Down The Road) " LD9, She Was Big, She Was Blonde, She Was Beautiful " LD9. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. WebLonnie Donegan & His Group, Lonnie Donegan Group, Lonnie Donegan With His Group Artist [a4469366] Edit Artist Marketplace 293 For Sale Vinyl and CD 1 12 of 12 Sort Show 1 Subscription from $10.83/month Chances are that UA in America was lured into distributing this album by The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. and It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. 2, Shes Got A Sugar Lip (mistake on LP - should be Sals) My Dixie DarlingHam N EggsLivelyStewballFort Worth JailDead Or AliveSally Dont You GrieveChesapeakeBayIt Takes A Worried ManLost JohnIm Just A Rolling StoneAunt RhodyRock O My SoulThe Golden VanityCorrina CorrinaSeven Golden DaffodilsLumberedA Very Good Year, Come To Australia (Great Uncle Alberts Dead), LPS FEATURING LONNIE - Lonnie tracks only, Traditional Jazz At The Royal Festival Hall, Have Tartan Will Travel (Clyde Valley Stompers), On both of these tracks Lonnie Duets with singer Fiona, Barber, Bilk & Bechet With Lonnie Donegan, This is such a great album all tracks listed, Dont You Rock Me Daddy-O (spelt on cover Daddio), http://lonniedonegan.webs.com/eptracklistings.htm, LP TRACK LISTING FOR EP's GO TO BOTTOM OF PAGE. Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. I'm Just A Rolling Stone, Nobody Loves Like An Irishman Anthony James Donegan MBE (29 April 1931 3 November 2002), known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Tom Dooley (Nov - 1958) He formed his own group, the Tony Donegan Jazz Band, in 1952. Donegan's "Gamblin' Man" / "Puttin' On the Style" single was number one on the UK chart in July 1957, when Lennon first met Paul McCartney. I'm A Ramblin' Man Betty, Betty, Betty (Apr - 1958), Battle Of New Orleans (2) Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. More concert tours followed, along with a move from Florida to Spain. Ace In The Hole unissued LD9. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. WebIt was over half a century ago in 1958, as Lonnie Donegan was ruling the charts with Rock Island Line, that Joe joined his first band, the Spacemen Skiffle Group, at the age of 17. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. Read Full Biography Overview Biography It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. The single had a 22-week run on the English charts, peaking at number eight. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. I'm Alabamy Bound Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. Ive Got Rocks In My Bed. Aint No More Cane On The Brazos. WebFecha de Nacimiento: 26 de febrero de 1971 Biografa Es una cantante estadounid For LP, just put in Title. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. Does Your Chewing Gum Loose It's Flavour 10. This proved so popular that in July 1954 he recorded a fast-tempoed version of Leadbelly's "Rock Island Line", featuring a washboard but not a tea-chest bass, with "John Henry" on the B-side. Lost John He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. Apart from the excellent sound, the surprising element of this body of songs is just how bracing it remains almost 50 years after it was recorded -- the tendency is to dismiss the skiffle boom as an embarrassing fluke, but in fact the level of musicianship achieved by Donegan and company (especially guitarist/singer Dick Bishop) was exceptional, and their feel for the material was a match for that of any white Americans this side of Bob Dylan. 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